The ICON 7 Illustration Conference was held right here in RI this year, sponsored in part by good ol’ RISD. That was good news for Eric and I…we had our tickets reserved months ago, and it was finally held this week.
The weather was perfect, the city was looking’ good for the hundreds of illustrators that came to town. We didn’t manage to get to any of the workshops that occurred on previous days, beyond going to the RISD Icons art show opening at the Woods-Gerry Gallery (the show is up until June 24th, so you can still catch it).
Gregory DiBisceglie, creative manager for Campaign Planning and Special Projects at Macy’s, showed how he tries to raise the bar of creative experiences that Macy’s offers. Why, there’s one of his special projects now… art created by Chris Buzelli for Macy’s Flower Show.
Here’s the art powerhouse Bob Staake, with a page from one of his children’s books. He started off working in a well-regarded cartoony style, but has since morphed into more graphic looks. He says that since art is always subservient to something else, he likes to shake up his style depending on the need. He also like to surprise an art director with unique takes.
My favorite point he made was that art directors come to you because you’re a thinker. So true. Style and execution is less important than concept, so long as the art gets your point across effectively. I find this very true in product design, as well.
Christopher S. Neal, Josh Cochran, and Sam Weber came to talk about the importance of community and collaboration, as learned in the Pencil Factory studio space in Brooklyn. They not only collaborate with each other, but with lots of varied clients.
The importance of collaboration was a theme that kept popping up throughout the conference. Apparently sequestering oneself up in a studio all alone with no input is not the best way to achieve good art, or to get anything to happen with your art. Huh… go figure!
Here are the folks from the Children’s Book panel: Cecily Kaiser (Abrams), Chad Beckerman (Abrams), and Elizabeth Parisi (Scholastic), with Rachael Cole (Schwartz & Wade/Random House) as moderator.
As a children’s author/illustrator, I thought I had heard it all about this subject. But they did touch on some important points that probably can’t hit home enough: books need to jump off a shelf due to their individuality. Relevancy and different takes on common subjects can set a book apart from the mountains of others.
Chad with a morphing cover sketch by Dan Santat.
Lunch break. Did I mention the weather was ideal for this?
I’m glad Providence was lookin’ good for the conference. The hotel where some of the events were used to be an abandoned, graffitied shell of turn-of-the-century despair. Pretty nice now, darn it!
Here’s Jessica Hische, who spends a lot of time procrastiworking on all kinds of projects, many involving her own custom typefaces. “Make things you wish existed.”
Here’s another good thought to remember:
Kiel Johnson took everyone by surprise, I think. It’s hard to describe the level of intensity of what he has made, done, created with cardboard. He said that getting out and working with others has led to surprising artistic places that he never would have gone to himself.
Another shot showing his intensity level… he decided to draw everything (everything!) he owned.
Here are Adam Rex and Dan Santat, during their session on being Man-Whores. Or, uh… promotion. yeah, promotion. They shared some of the things that worked for them (meeting people at ComicCon, devoting actual time to promotion), and what didn’t work (scaring children with clone videos).
At their book signing, I asked Adam and Dan to “do something adorable” so I could take a picture. This is what they came up with.
Pretty adorable, right? hehehe
Here’s Julia Rothman, who talked a little about how she entered into true licensing after learning the hard way about flat fee sales. This shot shows her My Little Pony style sheets that she did for Hasbro. Getting her work seen on Design Sponge seemed to open up a new flow of people that wanted to work with her, and she’s been going full steam ever since.
The evening keynote was by Lynda Barry, cartoonist extraordinaire, and her “special guest” and long-time friend Matt Groening, creator of Life In Hell, the Simpsons, and Futurama. Pretty much one of the best “talks” I’ve ever seen.
Lynda by herself is a hoot. Intertwined within her off-kilter stories, she had some really poignant things to say about trusting yourself, not editing yourself, and rediscovering your own hands to make a personal connection with your work.
Jeez, though. These two together were unstoppable. They just kept tossing little stories out, back and forth…
Honestly, I could have listened to them for hours, they were so funny and insightful. I felt very privileged and lucky to hear them.
Matt said that he had just stopped writing “Life in Hell” after 37(!!) years. He did so last week. Wow.
After that, they opened up the Rhode Show, which was a bazaar of illustrators with tables full of their work and promos. It was very well attended and a lot of fun. A good way to meet a lot of people and see their work.
Here’s my pal Mary Beth Cryan at her booth, displaying all her paper-engineered goodness!
I got to meet Matt Groening at the Rhode Show. A true high point of the whole thing. Things like this don’t usually happen in Providence.
Here’s some of the day’s loot haul… I officially have a lot of business cards, websites and books to investigate!
Next up… DAY TWO.